Populating with more assets

I filled up the scene further this week with 2 more sets, one that I call the desktop set, basically the assets that are filling up the space on the desks and the hologram set, which is all the remainder of the assets with the screens or in other words assets that would utilize an emissive texture and and transparency.

First I built the 2 computer tower variations, further exploring the different types of metals I could make in substance by building up materials using masks and filters. Very minimal highpoly work was done for these assets, basically just the main shape for the tall tower to smooth out the corners, and all the remainder of the details waere done using nDo2. With my textures I wanted to add some sparkle into the white metal and roughness to the black metal to show a nice contrast between the two different metals. The plastic digital frame uses both sets, the plastic part is part of the desktop set and the glowing part is part of the hologram set, i tried to limit the hologram set mostly to anything that would require emissive or transparency as much as I could.

The final piece of the desktop set is the angel but statuette that can be seen in front of the main screen. For this I sculpted the highpoly in Zbrush, made a quick lowpoly in mesh lab (since the statuette was never going to be animated this was most efficient as the automatically optimized model saves a lot of time and still looks great, considering it is a pretty small object) I tried to give it a silver look by utilizing occlusion to create a mask that would darken any recessed areas.

 

Here is what the shader/ texture for the desktop set looks like:

For the hologram set I started by creating all the required normal map in nDo2 for the frame, computers and tablets. I then added the glowing elements in photoshop, and further experimented with metals for the large frame.

My next step is going to be to fill-up the scene further with the mess of books and cables, i still need to tweak these shaders some more but I think I can leave it until the polishing phase. For now I want to get the core work out there. 

Next gen it up!

I finally picked upgraded from UDK and into UE4 the transition was rather simple and the new unreal feels very intuitive to me and more stable. I added some more props and textured the assets. I would like to retexture some of the assets that are in the scene that I already have a texture just to make use of Substance - unreal integration, which works seamlessly and makes texturing a breeze. It seems unreal now uses physically based rendering which looks great and uses 2 new maps (roughness and metallic) which is pretty intuitive. I find this way of texturing completely different from the photoshop workflow, perhaps a bit less artsy as it takes a lot of the painting by hand out of the equation however it is also a huge time-saver in the end because textures are procedurally based and once I create a certain type of material I can just easily reuse it with other items. I still need to experiment with substance more to take full advantage of its features (primarily wearing down materials) but this scene is a great way to get started because most of the textures are clean so I am essentially getting a solid foundation.

The first new item I created is this microscope, I went with the high poly workflow which took a little longer but I think in the end it was worth it.

I created new texture for the seating in the room, these 3 objects are sharing a texture/ substance.

Moving the scene to the new engine was pretty painless and I was glad that I initially was organized in the way I set it up. Its pretty alpha at this point but gives the overall feeling of what it will look like in the end. My goal is to get it as close to the concept as I can, I know in the game it was altered and brightened to give a different feel but I would like to retain the dark mess that is present in the original concept.

Finally I wanted to show a couple of substances that I created for this scene so far. They are the substance I use for seating (chairs and couch) and the substance that I use for the console screens that gives a brief overview of how the materials are set up. The modules into which the material is broken can essentially be reused, for example the brushed metal I used for the console I simply copy pasted into the chairs substance for the office chair.

Breaking down and rebuilding

I hit a bit of a stump motivation-wise after my last few attempts of getting a 3D artist job  didn't work out, I have to say I got discouraged and needed a break. I started working in QA as opposed to art due to the simple need to survive and the will to make it on my own. I needed to distance myself from 3D for some time as I felt like I was beating my head against a wall and needed a break to regain passion and motivation. I am finally working at Eidos Montreal which is where I always wanted to be as an environment artist, but being in QA there and seeing the amazing work that people there do is really quite motivating. Finally as I adapted I promised myself this new year that I am not going to give up and I will keep pushing and will keep my dream alive and so I resumed work with my Deus-Ex, Megan Reeds office piece, and the timing I would say was pretty good as there might be a position opening up soon, although I should have probably started pushing myself sooner, but this I think is the kick in the butt that I needed so much. Even though I haven't spent as much time in an environment production as desired for the position I sincerely hope that my efforts will not go unnoticed. I am challenging myself to put fourth all my effort after work and on weekends in order to Finnish up this piece in the next 2 weeks so I can give my application with more recent work. So the purpose of this post is to update on what I have done since the new year as I have promised myself to systematically keep working on this project.

 The only new things here are the two chairs and the couch, they are still untextured. This is probably the last screenshot I will make in UDK as my plan is to migrate this whole project into Unreal Engine 4, which I still need to learn in these two weeks. Since I am pretty comfortable with UDK I am hoping the transition will not be too difficult.


As part of my commitment to resume work I picked up myself a new piece of software (Substance Designer 4), and started learning it. I have to admit once I got used to it I find it really useful. It is a node based texturing application that acts as a middleman between 3d app, 2d app and the engine. The next screenshots will be presented in Substance Designer, I plan on using this software for the remainder of this project.

I wanted to limit myself to how many high-poly objects I will model for this scene as I want to be as efficient as possible. However this chair I felt like is one of the more attention grabbing objects in this scene so I think it needed a good highpoly and so I made one in combination of 3D max and Zbrush, made topology in topogun and this was the first object to go through baking and texturing in Substance Designer.

The console stations were a big part of me learning SD, as they contain a variety of materials and everything is sharing one texture. All the normal details were created using nDo2. 

That's pretty much what I am starting my challenge with, my next task is to populate the tables with some of objects. More specifically microscope and the computer set (for the next update). After that I want to start migrating the objects into UE4.

Art test and more updates

I was fortunate to get an art test from a local company this weekend, so I took a short break from this project to do that. It's a fun stylized piece and I am pretty happy with the result and managed to submit it a day early, however I still feel a bit like I am hanging in limbo as I haven't heard anything yet. I really hope to get this position

As part of the requirements I had to write a breakdown of my workflow, so i am going to post up a link here.

After the test I took a couple of days for R&R, and now I am back on this project. So here is a progress shot.

I added the furniture, all of this furniture is using one texture sheet, I achieved this by makng most of the textures tile in one direction. I also changed the reflection to scene reflections, so that's why the specularity on the floor got way toned down, however I am hoping to remedy this once I add the actual screens. Lighting is not finished yet either, but it's good enough for now. I will refine it more closer to the end. I am not really happy with the ceiling so I'll have to change that down the road, however I want to fill out the scene, and get the overall feeling right for now.

Megan's Office - 1st update

I took my blockout from UDK, moved it to 3dMax, and there started to refine my modular pieces. I think now the most important part for me is to get the right feeling of the room. So I started by creating textures, first for the floor, then the walls and supports and finally the ceiling. Not 100% sure if I'll be going ahead with this ceiling yet. The main thing like I said was nailing the basic room construction and layout. From then on I refined the lighting. I think it's easier to do it at this point because there are practically no assets so 1.they do not distract me 2. lighting renders much faster. From then on I went in and started refining the textures. Floor is pretty close to being done. Might need to spend a little more time with wall textures, supports and the ceiling.

Deus Ex - Megan Reed's office

So I have been applying for work all of last week, so my hands are really itching to start doing some work again. I got some great advice from an art Director from a local company who suggested that I focus more on realistic work as that seems to be my strength and most AAA companies are looking for that anyways. I want to start targeting companies better with my projects from now on so I wanted to make a scene from a concept from one of my favorite games and a company I would love to work for some day: Deus Ex. Megan's office was my choice because I found it so very interesting and there is all sorts of skill to practice and show here. Modularity for the floor, walls, ceiling and tables, and i was thinking of reusing the pieces from the table to make the shelf, then there is some Interesting high polies to make, the arm chair being the main thing, where I could do some sculpting. and things like the console and the microscope (or is it a coffee maker? can't decide). Also there is plenty of texture planning and lighting to be done so I think it would make for a pretty strong piece overall.

Realistically speaking I think I could get it done in about 3 weeks, there is plenty of assets and I have to keep looking for a job still so I plan on dedicating about 20% of my day applying for work and the rest working on this. Applying for work is a bit stressful and kind of a confidence killer for me at this point, where as I really enjoy just doing those 3d projects and they make me feel at peace, because I know that I have the skills when I do the work, maybe just not as polished yet, but that's why I have to keep trying.

I know it's not really good that I started 2 projects here already and seems like I am abandoning them. I felt like my piece with the collapsed bridge didn't have a solid direction, so I decided to leave it for now. Not sure if blending in a concept with some work that I've done was the best idea as my bridge almost felt out of place. Maybe in the future I'll refine the concept and come back to it, but for now I have to leave it. Same goes for the wrecked ship, as it is stylized and I am going to take the advice and make something more realistic, targeting local companies more with my work. But enough talk, here is the concept that I used, I looked at the game and it seems that they made Megan's office a bit different so it's fair game, I am going to try and replicate the concept in 3D to the best of my ability. So here it is: 

Concept art I will be working from:

Here is some planning work as in how I am going to break down this scene:

 

Basic blocking in UDK of main shapes and lights:

 

And the lighting rig I have for now:
Main light sources: big screen, medical display
secondary lights: window (drops some nice shapes but doesn't light the scene overall), smaller screens, and top lights which seem to be rather dim. Since the screens are the main light source I feel it is one of the things that give the scene a sci-fi feeling.

Big Update

Haven't posted here in a while so here comes a big update. First of all I want to talk about the piece that I made for the art test. I spent some more time on it after I completed it to add some effects a polish up the textures so here it is.

Also here are some screenshots of the highpoly models I used for this scene.

Lots of practice with Zbrush, I also polypainted the models so this would be my first stylized hand painted scene. The basic process was this first day I blocked in the most of the scene in 3D max. The reason I'm saying most because for organic assets like the tree I started out directly in Zbrush because I find it easier to get organic shapes that way. After that I spent about a day per asset detailing it out in Zbrush. After that a day per asset to polypaint it for the major assets. The reason it took so long is because it was my first stylized scene and I really wanted to get it right, so I was watching a lot of tutorials, mostly from 3d motive to get it. The exception would probably be the foliage where it took probably two days to get it all done. After the bake i put it all in engine and the scene was ready for submission for the test, however not ready for my portfolio yet. I guess the main part of upgrading the textures, and I should have done it in the first place was having an nDo2 pass for additional occlusion and cavity maps and that really helped out the textures. Also I spent some more time on specular maps and polishing up the textures in Photoshop. So all that polish took a couple more days. Lastly I went deeper in UDK learned some more about materials so that my textures worked together with it. I also learned some special effects to make the scene feel alive. First thing was making the foliage move with the wind in order to make the scene feel alive. And that was achieved by using the material, specifically having wind direction and speed node and the world position node feed into the sine wave which would be interpolating wuth the reverse sine wave using a third sine wave of a different period as the alpha, after it has a few more interpolations with other sine waves to break up the movement even more, this technique uses vertex color to mask which parts will be moving. Another important note about foliage is that it uses phong lighting model within the material instead of relying just on scene lighting to give it more vibrant looks, and otherwise the backfaces come out dark. I learned the technique from the 3dmotives foliage tutorial. I used a very similar technique to animate things like cloth on the wooden gate as well as the glowing spheres on the tree. Another fairly big shader I set up was the crystal shader. But it pretty much just consists of a network of panners, rotators and a little bit of sine wave controlled by an additional mask texture where the 3 channels gave different glow effects, as well as on one of the specular channels I controlled which part of the crystal is going to glow.  Another effect that I added is the fireflies, that is basically a particle effect using the orbit function in cascade. I have about 4 of those effects in the scene: main one for the entire scene, and three smaller effects around the glowing spheres to give the impression of the fireflies gather around the lights. The last effect was a fog volume I added on top of the distance fog, and I used again my effects texture that i used for the crystal because it has 2 different clouds in those channels which was perfect for creating a moving fog.

Some more work that I've done that I want to share, a concept for a little competition on one of the linked in groups:

Basically the theme was to create a keg of your liking, and that was the only guideline. Goblins always seemed really whacky to me, almost like they are drunk, so I wanted to create a keg for them. Maybe I'll model it in the future, haven't made up my mind about it yet. And some more work that I started to do. Another stylized scene, this time following my own concept so sketches down below. 

 Some silhouette studies of shipwrecks

 Silhouette studies for the composition of the set

I liked the middle one so here is a concept for it

And finally some highpolies